Kai editor ek saath usi storage se timeline par kaam karein — bina file idhar-udhar copy kiye. Hum pehle aapke codec ka ganit lagate hain, phir batate hain ki 10G chahiye bhi ya nahi.
Ye Apple ki apni ProRes documentation se hain (1920×1080 @ 29.97 fps). Inhi se tay hota hai ki aapke studio me kaunsi line chahiye.
| Codec | Data rate | MB/s | Ek 1G port par | Ek 10G port par |
|---|---|---|---|---|
| 1080p ProRes 422 Proxy | 45 Mbps | 5.6 MB/s | 19 stream | 190+ stream |
| 1080p ProRes 422 LT | 102 Mbps | 12.8 MB/s | 8 stream | 85 stream |
| 1080p ProRes 422 | 147 Mbps | 18.4 MB/s | 6 stream | 59 stream |
| 1080p ProRes 422 HQ | 220 Mbps | 27.5 MB/s | 4 stream | 40 stream |
| 1080p ProRes 4444 | 330 Mbps | 41.2 MB/s | 2 stream | 26 stream |
| 1080p H.264 / H.265 | ~20 Mbps | ~2.5 MB/s | 40+ stream | Bahut |
| 4K ProRes 422 HQ | ~880 Mbps | ~110 MB/s | 1 stream | 10 stream |
Is table ki sabse kaam ki line: 1080p ProRes 422 HQ ek saadha 1G port par 4 stream chalata hai
— multicam aur layers ke saath bhi. Wahi codec 4K me ho to ek 1G port par bilkul ek stream
aata hai, bina kisi headroom ke. Isi ek farak se poore project ka kharcha badal jaata hai.
4K ke aankde Apple ki table me nahi hain, isliye wo approx hain — asli footage par thoda upar-neeche hota hai.
Inme se do to hum har doosre studio me dekhte hain.
Har desk tak 10G le jaana aksar storage jitna hi mehnga padta hai — switch, Cat6A cabling, aur Mac par adapter. Par 1080p ProRes HQ ek saadha 1G port par CHAAR stream chalata hai. Yaani zyadatar studio ke liye 1G kaafi hai, aur 10G sirf finishing ya grading wale kuch seats par chahiye. Ye ek faisla lakhon ka farak daalta hai.
Mac mini me 1 Gigabit Ethernet standard aata hai — 10GbE sirf build-to-order option hai jo order karte waqt tick karna padta hai. Naye Mac aa rahe hain to wo option abhi tick karayiye. Baad me lagwana ho to har machine par alag adapter chahiye, jo kai guna mehnga padta hai.
Spec sheet par array 1.5 GB/s dikhata hai — par wo ek aadmi ke sequential read ka aankda hai. Jab 30-50 log ek saath timeline scrub karte hain to wo random I/O ban jaata hai aur asli speed girti hai. Isi liye active project SSD par aur archive hard disk par rakhna chahiye.
Client ka raw footage sirf RAID par pada ho aur doosri copy kahin na ho — ek ransomware ya ek galti se delete, aur mahinon ka kaam gaya. Snapshot madad karta hai par wo bhi usi box par hota hai.
Studio wale yahi poochte hain.
Ye codec par nirbhar hai, ginti par nahi. 1080p ProRes 422 HQ ka ek stream 27.5 MB/s leta hai — 50 log ek saath chalein to lagbhag 1.4 GB/s banta hai, jo ek achhe NAS ke do bonded 10G port me aa jaata hai. Wahi kaam 4K ProRes me ho to lagbhag 5.5 GB/s chahiye — poora design badal jaata hai. Isliye hum pehle codec poochte hain.
Seedha edit kar payenge — bashart ki bandwidth ka hisaab sahi lagaya gaya ho. Agar aapka maksad yahi hai ki har machine ki local SSD khaali rahe, to media NAS par hi rehna chahiye. Bas ye dhyan rahe ki agar desk par 1G hai aur kaam 4K ProRes ka hai, to wo atkega — us case me ya to proxy workflow chahiye ya 10G.
Haan, SMB par dono chalte hain. Mac ke saath do cheezein set karni padti hain jo aam taur par log chhod dete hain — network folder par .DS_Store banna band karna, aur Spotlight ko share index karne se rokna. In dono ke bina 30-50 Mac milkar NAS par bekaar ka load daalte hain. Hum ye har machine par setup karte hain.
Full-quality footage NAS par rehta hai, aur usi ka halka version (proxy) bana liya jaata hai. Editor proxy par kaam karta hai — jo 1G line par bhi aaram se chalta hai — aur final export ke waqt software apne aap asli footage use kar leta hai. Isse network ka kharcha kaafi bach jaata hai. Har studio ke liye theek nahi hai, par bahuton ke liye sabse samajhdar rasta hai.
Seedhi 4K editing internet par practical nahi hai — 100 Mbps upload par ek stream bhi mushkil se chalta hai. Jo sach me chalta hai wo do cheezein hain: proxy workflow, ya symmetric leased line. Hum ISP bhi hain, to leased line aur static IP bhi usi project me de sakte hain. Aur NAS ko seedha internet par kabhi mat kholiye — VPN ke peeche rakhiye.
Haan, aur hum wahi karte hain. Har machine ki local SSD se data NAS par shift hota hai, aam taur par raat me ya chhutti ke din taaki kaam na ruke. Baad me file count milaakar dikhate hain ki kuch chhoota nahi.
Aam office storage chahiye, editing ka kaam nahi? NAS & shared storage dekhiye · Saare server options
Kitne editor, kaunsa codec (ProRes ya H.265), aur kitna data. Inhi teen se hum poora design aur sahi kharcha nikaal kar denge — aur saaf batayenge ki kis cheez ki zaroorat nahi hai.